

Boy, Studio Ghibli sure is good at crushing hearts.
I spent way to long faking the logo for this fake poster, and it’s still not quite right.

Boy, Studio Ghibli sure is good at crushing hearts.
I spent way to long faking the logo for this fake poster, and it’s still not quite right.
Today was a “two movies at two theaters” day: Heretic at the Universal Citywalk AMC, and Memoir of a Snail at Alamo Drafthouse. Gotta keep those movie passes working!
Once I assumed that these were two Mormon missionaries who had so little sense of danger that they’d walk wide-eyed into a unsafe situation, this movie was a lot of fun. Nonsense, but fun. Also: Hugh Grant is a natural at playing a creep. What a surprise.
If you saw clips from this and thought “Oh, a stop-motion animation movie- I shall bring my children,” maybe give it another look before you load the kids into the SUV and head down to the multiplex. It’s a great movie, but it’s clear from the very first scene where someone dies- not in a Disney “maybe they’re just sleeping” way, but in a “gasping for their final breaths in their deathbed” way- that this is made for adults. Also, it’s Australian; are kids allowed to watch Australians (even in cartoon form)?
I can only use one image for the featured image. Normally when I see two movies in a day I mash the images together in some way, but I didn’t care for the one I made for Heretic so I’m hiding it here. I bet you will love it so much that you will write an epic poem about it.
It turns out stories can be powerful when told well, even if you already know them. Anyone who saw the trailer for The Wild Robot – hell, anyone who has watched a few “uplifting and emotional” movies – could guess the broad strokes of the story, but that doesn’t matter here because it tells its tale so well.
And it’s not without surprises. There are some graphic deaths early in the film, and they’re not off-screen or silhouettes. They’re small, and not the more anthropomorphized creatures, but they still surprised me.