You can’t make a parody movie this good without loving and respecting the source material. There are tons of scenes that would seamlessly blend right in to the original movies. But the jokes work on their own- knowing the original Frankenstein movies adds some layers, but everything holds up on its own merit.
Also: How did Mel Brooks manage to have Blazing Saddles and Young Frankenstein come out in the same year?
Today’s fake poster in from a movie about a different abnormal brain.
If you’ve ever wanted to waste an hour watching a lifeless story about a woman raising chickens at the end of World War One, then this is the movie for you!
Eugene O’Brien (1620 Vine St) plays Major Baldwin, who pretends he isn’t a soldier so he can more easily talk to the locals. Everyone hates him for not being a soldier, so that didn’t work.
There are very few images for this movie online, so I went with the simple and obvious choice. Fun fact: this is the first one of these posters to include horrible blackface. Not that there’s good blackface.
If a mysterious car throws a bag of money into your car, just take it to the police and say you found it. When no one claims it, it’ll be yours. Seems a lot easier than murder and stuff.
Also: Mulholland Drive has barely changed in 75 years. While I was watching them drive I kept thinking “I’ve been there on my bike!”
Lizabeth Scott (1624 Vine Street) is the casual femme fatale. No planning here; just a lot of “I guess I’ll fix this with murder.”
And now, the fake poster. It’s weird and stretchy because the original is weird and stretchy.
Alice Lake
Alice Lake was often the female lead in Fatty Arbuckle shorts. I watched her in “Good Night, Nurse!,” where she played the important role of “Crazy Lady.” Her star is sometimes listed at 1624 Vine Street, and other times at 1620 Vine Street. I understand the confusion, since street number order on that block is really weird. If you look on Google Maps the street numbers overlap and flip around.
It’s like film noir, but with oversaturated color and a truly nonsense storyline featuring two sisters: one who works for a man trying to become mayor and clean up the town, and one who is a kleptomaniac just out of prison. And there’s a weird love quadrangle thing going on. And Chekov’s speargun.
One thing is sure- Arlene Dahl (1624 Vine St) worked all the angles to wring as much cash as she could out of this gig. Besides whatever she got for acting, there was a line in the credits that said “Arlene Dahl’s lingerie by Arlene Dahl Fashions.” and then there’s this:
Two fake posters based on beach movies in a row. One more and I have to change my name to Moondoggie.
Wikipedia calls this a “comedy drama war film,” but I think they need to add “bawdy” in there somewhere.
This was yet another time I wish I knew Spanish. If I did, I could have watched a talkie where Delores del Rio (1630 Vine Street) was the lead, instead of a synchronized sound movie where she’s “the pretty girl” in a love triangle with the two lead actors.
I didn’t quite match the font for this fake poster, but I think it still works. Please enjoy my half-assed “colorization.”
If you’re a high school teacher who hates his job, I can see how running away with a showgirl might look appealing, but it’s probably not going to work out.
When the first Oscars were presented, the Academy supposedly had a problem. The actor with the most votes for Best Actor was Rin Tin Tin, and they couldn’t give the first award to a dog or they’d never be taken seriously. So they went with the runner up, Emil Jannings.
Who later turned out to be a Nazi. Which didn’t stop the Walk of Fame from giving him a star in 1960 (1630 Vine Street). But to be fair, they also gave Rin Tin Tin his star on the same day.
Today’s poster is another entry into the Good Idea, Bad Execution Club.
I disliked it so much (look at poor Marlene Dietrich’s face!) that I stopped early.
Why does a movie full of strong banter between the two leads grind to a stop to include a hokey singing kids number? And why does it do it twice?
Delmer Daves (1634 Vine Street) wrote this based on his script for Love Affair. I wonder if the singing kids are as distracting in that version of the story.
Today’s fake poster is based on one for a different movie about affairs and remembering.
That’s supposed to be a cruise ship on the ocean, but it looks like the top of Nomad
An aggressively standard old school crime thriller (complimentary). Really fun to watch a movie from when they used to actually film in Los Angeles. I’m pretty sure part of this was shot at a motel that’s around the corner from my apartment.
Jane Greer (1634 Vine Street) only has one scene in this. I should have watched something else and saved this until I needed a Joe Don Baker movie.
Fake poster time!
My favorite part of this one is Duvall’s giant head.
There’s a scene in the first Captain America movie that homages the first scene in this film. David Niven is a pilot who manages to contact a radio officer on the ground. He knows the plane is going to crash and is certain he will die. In the few minutes they have they manage to fall in love. It’s absurd and it works- just like the rest of this movie. Is it a war romance? A medical drama? A study of religion? A courtroom drama? An argument about American and British sensibilities?
Yes it is.
Is it about a crazed fan of a talk show? Nope, but somehow that’s the movie poster I copied.
I was worried when the movie started with a wall of text, then more worried when the Obviously Symbolic Dinosaur appeared, but the movie won me over as it ratcheted up the tension.
Then it started over from a different viewpoint, and it mostly lost me.
The it started over again from yet another viewpoint, and it pulled me back in a bit, but not all the way.
Then it just… ended.
I get what Bigelow was doing with the repetition. The first version is the full bureaucracy angle, showing all of the agencies coordinating to deal with the attack. The second version focuses more on the smaller group of people doing everything they can to avoid escalating the situation, and the third narrows even further to one man deciding whether to start a nuclear war. We see tons of people worrying about the consequences of their decisions, but we never see any of those consequences (and sometimes we don’t even see the decisions).
…but maybe that’s my problem. Tons of people loved this movie. All I know is that I got one of my best/dumbest fake movie posters out of it.